PRODUCTION
Design
FILM & TV
COMMERCIAL
THEATRE
FILM & TV
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FILM & TV 〰️
castillo
Visually, we were tasked to create 3 worlds: Malta in the 1980s, Malta in 2006 and the fictional world of the police Comissioner, Castillo.
seven doors
In this anthology of seven short films themed upon the seven deadly sins, the art department was tasked to create 7 distinct styles for each of the short films.
the JENNY
WILDER TAPES
For an upcoming TV series, this teaser contains visuals of gritty London set in the 1990s together with a modern and bohemian home.
merjen
The series employs a non-linear narrative that interweaves Merjen's past, where her initial excitement at Bertu's return from overseas is juxtaposed with the subsequent tragedy following the death of her child, marking a profound shift in their relationship. This shift is also mirrored within the series' visuals, where Merjen's vibrant yet impoverished world is contrasted with the grim reality of her abusive relationship.
commercial
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commercial 〰️
NIKXFU L-KARTI
From yellow walls to a sophisticated podcast set featuring an asymmetrical wall moulding feature, new lights and furniture.
theatre
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theatre 〰️
castillo
Before the film was made, the same producers adapted it for the stage. Making my theatrical debut in such an intimate, 360-degree theatre was a daunting task, but I still cherish the multifunctional set pieces and drop-down elements that allowed us to create several locations within such a small space.
MAGDALENE
This original play required numerous locations, but the director envisioned an expressionistic set that focused purely on the play’s themes. The narrative explored womanhood, the light and darkness within each of us, and the possibility of redemption. Light was symbolized by white, while red represented the characters' darker, 'monster' selves. The glass panes on set were not only movable, allowing the actors to rearrange them as needed, but also served as surfaces to write and erase the play’s motto and rearrange it to change it’s meaning.
